SEEDANCE 2.5 — GEN 1/6 · SELFIE INTRO (~6s) SHOT STRUCTURE: 4 shots, 6 seconds…

SEEDANCE 2.5 — GEN 1/6 · SELFIE INTRO (~6s) SHOT STRUCTURE: 4 shots, 6 seconds, 16:9 horizontal REFS: @Image1 = Jofrey character sheet — keep charcoal 5/4 wetsuit + safety-orange flotation vest + GoPro-mounted helmet + salt-bleached dark-blond hair + grey-green eyes + short scar on LEFT brow identical throughout. GLOBAL STYLE NOTES: - look: bleached backlit coastal haze, low sun burning through sea spray, veiling glare, lifted milky blacks, warm-cream bloomed highlights, desaturated silvery palette, orange vest the only pop; shot-on-iPhone raw look, Black Pro-Mist bloom, fine grain, 16:9 handheld. - setting: shoreline of Praia do Norte, Nazaré, bright hazy storm morning, huge swell behind, spray in the air. - audio: diegetic in-world SFX only — no music, no score, no soundtrack. - Jofrey voice: young male, hoarse adrenaline-charged, wind-battered, light European accent. SEQUENCE LIST: SHOT 1 (0-2s) HOOK — CU selfie, front, slight-high (arm above face) - vfx: handheld micro-shake 100%, spray flecks on lens - camera_motion: handheld camera, arm's-length selfie hold, faint bob - action_visual: Jofrey (per @Image1) grins into lens, wind rips his hair, thumbs back at the ocean wall behind him; SFX wind buffeting the mic, distant surf - dialog: Jofrey, wide grin, then says: 'Guys — Nazaré, twenty meters!' - exit: he drops the phone toward his chest (CUT TO) SHOT 2 (2-3.5s) — MCU selfie, low angle (phone at chest looking up), grey sky behind - vfx: handheld 100% - camera_motion: handheld camera, slow push-in - action_visual: he looms against the pale sky, chin up, jaw set; SFX wind - dialog: Jofrey, hard, then says: 'I came for her — today she's mine!' - exit: he lifts the GoPro helmet into frame (CUT TO) SHOT 3 (3.5-5s) — MCU 3/4, right side - vfx: handheld 100%, helmet dome close in foreground (proximity blur) - camera_motion: handheld camera, hand reaches to lens - action_visual: he seats the helmet, clicks the chin strap, reaches for the lens; SFX buckle click - dialog: Jofrey, quick, then says: 'Rolling. Watch me take her.' - exit: his hand and the GoPro dome fill the frame (MATCH CUT TO — phone lens → GoPro dome) SHOT 4 (5-6s) — Macro of the GoPro dome - vfx: shallow proximity focus, droplet crisp - camera_motion: handheld camera near-static, world resolves inside the lens - action_visual: one water droplet slides down the salt-spotted dome; SFX wind muffling as the mic goes inside the helmet - exit: dome becomes the POV eye (MATCH CUT TO — dome → POV) SEEDANCE 2.5 — GEN 2/6 · PADDLE / HUNT (~5s) — all POV (helmet GoPro, ultra-wide fisheye, hands + board nose in frame) SHOT STRUCTURE: 4 shots, 5.2 seconds, 16:9 horizontal REFS: @Image1 = Jofrey — POV from his helmet; when his arms enter frame keep charcoal wetsuit sleeves + orange vest edge identical throughout. GLOBAL: look + setting per GEN 1. audio: diegetic SFX only, no music/score. SEQUENCE LIST: SHOT 5 (0-1.5s) — POV MS, eye near the waterline, horizon high - vfx: handheld POV shake 100%, droplets on dome - camera_motion: handheld camera, forward drive with each stroke - action_visual: hands hammer the water paddling out, board nose cuts grey sea; SFX paddle splashes, breath in the mic, ocean gurgle - exit: his head whips right (WHIP PAN TO) SHOT 6 (1.5-2.7s) — POV WS, dutch tilt - vfx: motion blur on the whip - camera_motion: handheld camera, fast pan settling right - action_visual: gaze locks on the target wave far out on the horizon; SFX wind, low ocean rumble - exit: he throws the board around (WHIP PAN TO) SHOT 7 (2.7-4s) — POV MS - vfx: handheld 100% - camera_motion: handheld camera, board pivots under the lens - action_visual: board swings to line up, water fans off the nose; SFX water fan, breath - exit: he digs in (CUT TO — on stroke) SHOT 8 (4-5.2s) — POV MCU, tilted slightly down at the hands - vfx: handheld 100% - camera_motion: handheld camera, fast forward paddle - action_visual: hands claw the water to catch the wave, a low grunt; SFX hard paddling, forced exhale - exit: gaze lifts to the horizon (CUT TO) SEEDANCE 2.5 — GEN 3/6 · WAVE RISES (~4s) — all POV SHOT STRUCTURE: 3 shots, 4 seconds, 16:9 horizontal REFS: @Image1 = Jofrey — POV from his helmet; sleeves/vest edge identical if they enter frame. GLOBAL: look + setting per GEN 1. audio: diegetic SFX only, no music/score. Jofrey voice: young male, hoarse, light European accent. SEQUENCE LIST: SHOT 9 (0-1.3s) — POV WS, low, horizon rising - vfx: handheld 100% - camera_motion: handheld camera, tilt-up begins as the wall grows - action_visual: the horizon swells into a moving wall of water blotting the sky; SFX ocean roar building - exit: keep craning up (CUT TO) SHOT 10 (1.3-2.5s) — POV WS, tilt up, wall fills the frame - vfx: handheld 100%, warm-cream bloom at the crest - camera_motion: handheld camera, continuing tilt up - action_visual: a thin band of light left at the very top; SFX low roar swelling - dialog: Jofrey — grin drops, jaw slack, eyes widening, then says: 'Oh God…' - exit: head cranes fully up (CUT TO) SHOT 11 (2.5-4s) — POV EWS, worm's-eye up the 20m face - vfx: handheld 100% - camera_motion: handheld camera near-static, the wall towers over the lens - action_visual: the vertical face fills everything, sky a sliver at top; SFX deep roar dominating the mic - dialog: Jofrey — breath ragged, then says: '...she is massive!' - exit: he pops to his feet (CUT TO — on the pop-up) SEEDANCE 2.5 — GEN 4/6 · DROP-IN + PERIPETEIA (~5s) SHOT STRUCTURE: 4 shots, 4.8 seconds, 16:9 horizontal REFS: @Image1 = Jofrey — POV for shots 12-14; shot 15 shows him as a tiny distant silhouette on the wave, orange-vest speck, same wetsuit/vest identical. GLOBAL: look + setting per GEN 1. audio: diegetic SFX only, no music/score. SEQUENCE LIST: SHOT 12 (0-1s) — POV MS, dutch tilt - vfx: speed ramp start ~120%→80% - camera_motion: handheld camera, horizon tilts as he rises onto the board - action_visual: board catches the crest, drop-in begins; SFX board chatter on the face - exit: plunge continues (CONTINUOUS — NO CUT) SHOT 13 (1-2s) — POV WS, high angle down the face - vfx: heavy motion blur, speed ramp - camera_motion: handheld camera, plunge straight down the vertical wall - action_visual: the water wall rushes past under the board; SFX rushing water roar - exit: face of the wave smears past (CONTINUOUS — NO CUT) SHOT 14 (2-2.8s) — POV macro, water surface smearing - vfx: max-speed smear, spray sheeting the dome - camera_motion: handheld camera, hurtling forward - action_visual: the wave face blurs beneath, droplets whip the lens; SFX water hiss at speed - exit: chaos cuts to detached distance (SMASH CUT TO) SHOT 15 (2.8-4.8s) PERIPETEIA — EXTERNAL cliff telephoto (São Miguel lighthouse), EWS high angle, through blurred cliff-grass foreground - vfx: long-lens compression - camera_motion: handheld long lens, micro-shake, slow push-in - action_visual: the mountain of water rolls as if no one is on it; Jofrey (per @Image1 silhouette, orange-vest speck) a tiny figure on its face;