Use the first image as the exact opening frame and the second image as the…

Use the first image as the exact opening frame and the second image as the exact ending frame. Create a playful, high-energy 5-second poster animation with lively rhythm, elastic movement and exaggerated perspective. Start in complete silence with only the original neon-green grid floating in the lower-right corner. Keep the grid’s original shape, position and perspective. A fast pulse runs through the grid, making it flex downward like a springboard and rebound upward. On the rebound, the black-and-white male character bursts out from the depth of the grid, as if launched into the air. His body rotates slightly with natural momentum. His front shoe swings very close to the camera, then passes across the frame with strong wide-angle foreshortening. The laptop briefly floats above his legs before settling naturally back onto his lap. The character happily raises the coffee cup in a casual celebratory toast. His wrist, elbow and shoulders move with loose secondary motion. The coffee cup slightly tilts and corrects itself, while his hair, hoodie, trousers and shoelaces continue moving from inertia. Keep his face realistic and consistent. At the same time, the magenta panel shoots diagonally into the background and overshoots before bouncing back. The large “SEEDANCE 2.5” title enters in several bold staggered beats: first stretching rapidly from the depth, then compressing slightly and snapping into place. Individual text groups should have subtle timing differences instead of appearing together. The CapCut logo slides in with a quick curved motion. The wireframe globe spins into frame, the star shape flashes open, and the cube, crosses, arrows, smiley icon and small graphic symbols pop, rotate and ricochet into position with varied scale, speed and direction. Make the elements feel loosely connected by invisible elastic forces. Use energetic foreground-background parallax, a quick camera push forward, a slight handheld arc and a subtle clockwise roll. Let some foreground elements briefly pass close to the lens to create depth. The animation should feel spontaneous, stylish, cheeky and rhythmically syncopated, like a kinetic editorial fashion campaign rather than a simple poster reveal. In the final half-second, all movement settles through small elastic rebounds and secondary motion. Finish by matching the provided second image exactly, with every element, text, character and graphic in its correct final position. No scene cuts. No extra text or objects. Do not change any wording, logo or typography. No liquid spilling outside the cup. No duplicated limbs, warped fingers, distorted face, unstable laptop or random character morphing. Avoid uniform motion, linear fades, slow assembly and mechanical slide-in transitions.