Seedance 2.5 Test 480p - 720p I created a fight scene in a Chinese donghua style…

Create a hand-drawn donghua aerial duel above vast mountain clouds, with saturated blue-white versus crimson-orange energy, rough animated pencil lines, huge scale, rapid multi-cut action, and a camera that never stops moving. Use @[char1] to strictly match the male fighter's face, long dark hair, pointed ears, oversized layered pale coat, loose trousers, dark sash, blue wraps, and broad silhouette. Use @[char2] to strictly match the female fighter's face, high braided hair, forehead mark, black outfit, oversized pale sleeves, dark trousers, red bindings, and flowing crimson sashes. SEQUENCE Shot 1 / 0-2s: Rear OTS WS, high-speed chase: start mid-rush as his blue-white straight punch collides with her crimson flying knee. The camera slips between them and whips around the contact; a giant sketch shock ring splits the clouds. They recoil into opposite spirals, and she turns hers into immediate pursuit. Shot 2 / 2-5s: Rear 3/4 FS, corkscrew lead: follow her red sashes as she overtakes him with a spinning hook kick flowing into an axe kick. He redirects both with moving forearm parries while still flying. Their paths carve a double helix; his final parry opens her center and launches his counter. Shot 3 / 5-9s: Low front 3/4 WS, rising track and overtake: he cuts across her path with a shoulder strike and heavy straight punch, driving her through the upper cloud deck. She rolls with contact, cross-guards, and converts the lift into a backward aerial rotation. Her crimson trail hooks down into a counterattack; he accelerates after her. Shot 4 / 9-11s: Top-down FS, plunging follow: she flips into a descending axe kick. He climbs into it and redirects it with a moving forearm. The camera rolls and dives as both enter a narrow vertical cloud tunnel, their combined downward force feeding the next attack. Shot 5 / 11-14s: Side WS, inverted dive then pull to EWS: reveal a broken floating stone arch below. He redirects her fall with a descending palm strike. She twists and plants a foot to rebound, but the moving contact shatters the arch. She bursts through the rotating debris first; he follows through the same opening. Shot 6 / 14-18s: Near-subject WS, weave through debris: she ricochets from a slab into a flying knee and fires crimson-charged fragments behind it. He slips the knee, punches through the fragments, and advances through blue-white splinters. She circles at full speed, tightening her body path, sashes, and energy into a moving crimson spiral around him. Shot 7 / 18-21s: Outer-helix WS, accelerating orbit and corkscrew pullback: she crosses the spiral's inner edge with sharp kicks while he keeps redirecting forward. He releases a blue-white tiger-striped shockwave that tears the spiral outward and drags clouds and debris with it. She turns the blast's horizontal vector into another charge; he pursues. Shot 8 / 21-23s: Profile MS, fast lateral track: she drives an elbow; he parries and answers with a straight punch; she slips outside and returns a spinning back elbow. Every contact changes their flight direction and lengthens a cloud tunnel. Their final collision sends them into intersecting interception arcs. Shot 9 / 23-27s: High EWS, chase both energy trails with motivated whip pans: they vanish behind torn clouds and reappear only on readable attack vectors. She drops with a cutting kick; he bursts sideways to intercept. She flips over his shoulder; he dives through her landing path. Each whip pan follows commitment, contact, and resulting motion as both curve toward a head-on intercept. Shot 10 / 27-30s: Centerline EWS rushing into extreme near contact, then shockwave pullback: his heavy straight punch collides with her flying knee and spinning back elbow chain. A colossal hand-drawn flare erupts with contour echoes, scribbled rings, torn clouds, and debris. The wave throws the rotating camera backward. Both burst through, overtake it, and leave frame still attacking; end on continuing trails and a fresh offscreen collision flash. SOUND: No dialogue or subtitles. Uninterrupted fast percussion, high-altitude wind shear, short air tears, pencil scratches, heavy impacts, cloud ruptures, stone fragmentation, and moving energy roars; no quiet section. VFX: Rough pencil flicker, scribble trails, vibrating contour echoes, controlled smears, giant hand-drawn impacts, cloud tears, and debris originate from physical motion or contact. Keep silhouettes readable. Blue-white belongs only to the male; crimson-orange only to the female. EXCLUDE: No identity swap, duplication, color swap, static pose, face-off, recovery hold, frozen frame, hit-stop, slow motion, locked camera, ink-brush look, realistic film look, detached effects, or ending reset. Velocity redirects, recoils, and overshoots, but neither fighter nor camera ever stops.