Extreme photorealism, first-person POV video, vertical 9:16, shot as if on a…

Extreme photorealism, first-person POV video, vertical 9:16, shot as if on a phone held at eye level by someone walking - the camera IS the person, no camera or phone ever visible. Visible in frame: the underside edge of a clear plastic umbrella occupying the top of the frame the entire video, rain streaming off its rim, and occasionally the person's left hand and wrist gripping the umbrella shaft at the frame's edge. Natural head-bob with each step, small organic sways and glances, autofocus and exposure adjusting like real phone footage, raindrops occasionally hitting the lens and staying as blurred droplets. Overcast soft grey daylight, heavy steady rain. SPATIAL CONTRACT: one single continuous shot, one constant forward walking direction along a narrow wet asphalt road in rural Japan, with exactly ONE stop: at a railway level crossing. The walk: road → stop at the closed crossing barrier → wait for the train to pass left to right → barrier opens → walk across the tracks → continue up the same road. No turns, no other locations. 00:00-00:06 - Walking pace, rain drumming loud on the umbrella overhead. The narrow road stretches ahead between flooded green rice paddies pocked with rain rings; a line of weathered telephone poles fades into low mist; a small tiled-roof farmhouse sits far off to the right; hydrangea bushes drip at the roadside. Each footstep lands in shallow puddles - small splashes at the bottom of frame. The head glances briefly down at a puddle rippling, then back up. 00:06-00:10 - A rural railway crossing comes into view ahead: yellow-and-black striped barrier arms, a pole with twin red warning lights. As the person approaches, the lights begin flashing alternately and the crossing bell starts its steady clanging ring. The barrier arms lower slowly across the road. The walking slows and stops two meters short of the barrier; the left hand shifts its grip on the umbrella shaft. 00:10-00:14 - Standing still at the closed barrier. Rain streams off the umbrella rim in beads directly in front of the lens. The red lights blink through the drizzle; beyond the tracks, the road continues into misty green hills. The head makes one small glance to the left down the tracks - a faint headlight glows far off through the rain, growing. 00:14-00:19 - The train passes: a small two-car local commuter train rushes through from left to right, close and loud - a wall of wet steel and lit windows blurring past, wheels clattering on the rail joints, its wake throwing a gust that shivers the umbrella and flicks spray across the lens. The camera holds still, watching it pass, slight flinch at the first whoosh. 00:19-00:23 - The clatter recedes to the right and fades under the rain. The bell stops. The red lights go dark. The barrier arms rise slowly with a soft mechanical hum. A beat of stillness - just rain on the umbrella again. 00:23-00:30 - The walk resumes: one glance left, one glance right along the empty wet tracks, then forward - footsteps crunching over the crossing's uneven wooden planking and rails, a slight bump in the head-bob at each rail, then back onto smooth wet asphalt on the far side. The road ahead climbs gently toward misted forested hills, rain steady, puddle steps resuming their rhythm. The video ends mid-stride, ongoing, like the walk just continues. Audio: constant close rain drumming on the umbrella fabric - the loudest, nearest sound throughout - plus footsteps in puddles, distant rain hiss over the paddies, the rhythmic crossing bell, the train's rising roar, clatter and doppler fade, the barrier's hum, one soft breath from the person while waiting. No music, no dialogue, no narration, no on-screen text; any signage near the crossing stays distant and rain-blurred, never legible.