Create a photorealistic 90-second sci-fi drama in native 21:9 anamorphic…

Create a photorealistic 90-second sci-fi drama in native 21:9 anamorphic, structured as three connected 30-second scenes. Use @Image1 as Mara’s exact identity lock and @Image2 as Veyr’s exact identity lock. Preserve their exact faces, hair, mask, wardrobe, body proportions, compass design, room layout and sunset direction throughout all three scenes. One isolated desert checkpoint at sunset: warm low sunlight, windblown dust, concrete walls and a quiet inspection room overlooking the desert. Mara: adult female courier, cropped dark hair, weathered tan coat, calm guarded expression. Voice always identical: low warm contralto, neutral accent, measured pace, quiet confidence. Veyr: adult male checkpoint officer, dark uniform, black gloves and a simple metal half-mask. Voice always identical: restrained deep baritone, neutral accent, slow deliberate delivery, subtle metallic resonance. Only one person speaks at a time. No overlapping dialogue. Use stable medium close-ups during speech. Maintain clear lip movement and consistent vocal tone. SCENE 1 :0–30s Wide exterior as Mara approaches carrying a brass compass. Inside, Veyr sits opposite her. He asks: “Where did you find it?” Two-second pause. Mara replies: “It found me.” End on a stable close-up of the compass between them. SCENE 2 : 30–60s Begin on the same compass close-up, matching hand positions and lighting. Slow pullback. Veyr says: “That object disappeared twenty years ago.” Mara covers it gently and replies: “Then stop looking for it.” A distant light appears outside. Both move to the window. End on a locked medium-wide frame with both faces clearly visible. SCENE 3 : 60–90s Begin from the same window composition. The light grows brighter through the dust. Veyr opens the gate and says: “You have five minutes.” Mara asks: “Why help me?” Veyr answers: “Because I remember what came through last time.” Mara exits into the sunset. Hold Veyr in a clean medium close-up as the horizon fills with light. Cut to black. Grounded performances, restrained camera movement, realistic skin, cloth, dust and metal, subtle anamorphic flares, natural room tone, no subtitles, no onscreen text.