Cinematic 3D animated cartoon style, feature-animation quality, stylized…

Cinematic 3D animated cartoon style, feature-animation quality, stylized exaggerated character proportions, highly expressive facial animation. No dialogue, no speech, no lip-sync — pure exaggerated physical comedy. CHARACTER LOCK — these designs must stay identical in every single shot. THE HUGE BURGLAR: an enormous heavyset man in his forties, towering and barrel-chested, thick neck, heavy brows, permanently serious and stoic face. Dressed in a tight black turtleneck that strains against his massive frame, black pants, and thin black gloves that look comically small on his huge hands. Moves with slow, careful weight. THE TINY BURGLAR: a very small, skinny man barely reaching the huge burglar’s waist, sharp nervous features, oversized black beanie that keeps slipping down, matching black turtleneck and pants hanging loosely. Extremely expressive face and body language, constantly on the edge of panic. THE BULLDOG: a stocky, muscular English bulldog with heavily wrinkled face, tiny legs, broad chest, and a permanently bored, unimpressed expression. Moves and sits with absolute calm and zero urgency. LOCATION: a dark, quiet suburban living room at night. Soft moonlight through sheer curtains, wooden floor, silhouettes of furniture, one table lamp. LIGHTING ARC: cool blue moonlight for the first half. From shot 7 onward the table lamp gets bumped on, mixing warm yellow light with the cool moonlight while the tension remains high. SHOT 1 — 0.0s to 2.5s — WIDE low angle: the huge burglar carefully lowers the tiny burglar through an open window into the dark living room. Both land silently in a crouch. Slow push-in. HARD CUT. SHOT 2 — 2.5s to 5.0s — MEDIUM: both burglars slowly rise and freeze completely as they notice the bulldog sitting perfectly still in the exact center of the room, staring at them. Extreme size contrast. Static. HARD CUT. SHOT 3 — 5.0s to 7.5s — CLOSE on the tiny burglar’s face: extreme slow-burn reaction — eyes widen frame by frame, mouth falls open, one big sweat drop forms and rolls down. HARD CUT. SHOT 4 — 7.5s to 10.0s — MEDIUM: the tiny burglar scrambles up the huge burglar’s body like a tree and ends up perched on his shoulders in full human-shield position. The huge burglar stays completely frozen and stoic. HARD CUT. SHOT 5 — 10.0s to 12.5s — WIDE: the bulldog stands up slowly and begins a calm, deliberate walk in a wide circle around the two frozen burglars. The tiny one trembles on the shoulders. HARD CUT. SHOT 6 — 12.5s to 15.0s — CLOSE low angle: the bulldog stops right in front of them, sits down again, and tilts its head slightly with total boredom. HARD CUT. SHOT 7 — 15.0s to 17.5s — MEDIUM: the huge burglar very slowly raises one massive gloved hand in a tiny, polite wave. The table lamp gets bumped and switches on, flooding warm light. The bulldog blinks once. HARD CUT. SHOT 8 — 17.5s to 20.0s — CLOSE on the tiny burglar: he clings tighter, legs shaking, eyes darting between the dog and the exit window. HARD CUT. SHOT 9 — 20.0s to 22.5s — WIDE: the bulldog stands again and takes three slow steps closer. Both burglars lean back in perfect sync, the tiny one almost falling off. HARD CUT. SHOT 10 — 22.5s to 25.0s — MEDIUM: the huge burglar carefully takes one giant slow step backward toward the window while still carrying the tiny burglar on his shoulders. The bulldog watches without moving. HARD CUT. SHOT 11 — 25.0s to 27.5s — CLOSE: the bulldog yawns an enormous, exaggerated yawn, tongue curling, completely unimpressed. HARD CUT. SHOT 12 — 27.5s to 30.0s — WIDE: the huge burglar reaches the window and starts lifting the tiny burglar back up to escape. The bulldog simply lies down on the floor and rests its head on its paws, watching them leave. Ends on a held frame. AUDIO: near-silent night ambience, soft fabric and clothing rustles, quiet wooden floor creaks, nervous breathing, one low bulldog exhale, a deep bored yawn, subtle low tension drone that stays understated.