CAMERA: Handheld camcorder aesthetic, landscape framing. A beautiful French ceramic artist films herself by hand, selfie-cam and first-perso

CAMERA: Handheld camcorder aesthetic, landscape framing. A beautiful French ceramic artist films herself by hand, selfie-cam and first-person, on a rainy night in her home studio. Keep real hand shake, crooked framing, autofocus hunting between her face and the spinning wheel, awkward zoom-ins, and framing mistakes where her face or the wheel slips out of frame. Never show her placing or setting up a camera; enter fixed angles with a clean jump cut as if the camera was already positioned. The camera itself never appears, not even in the dark window reflection. LOOK: Warm desk lamp over the wheel, rain streaking down a dark window, tea steaming on the shelf. Camcorder softness, faint shadow noise. Clay realism is the core: wet slip glistening as the wheel turns, clay deforming exactly where her fingers press, honest muddy hands. Real skin texture, calm late-night glow. STYLE: A realistic rainy-night throw-a-bowl-with-me studio vlog, ASMR-adjacent: calm, warm, quietly focused, talking to the lens in a low voice like a friend sitting beside her. Clearly attractive, but believable as self-recorded, not an art commercial. Clean jump cuts, real sounds: wheel hum, wet clay, rain on glass. CHARACTER: A beautiful French woman around 30: soft grey-blue eyes, dark blonde hair twisted up in a claw clip with loose strands, minimal makeup. Cream linen shirt, sleeves rolled past the elbows, clay-stained canvas apron, no jewelry, bare hands for the wheel. SETTING: A small home pottery studio at night: a potter's wheel under a warm lamp, water bucket, sponge, wire tool, a wooden shelf of finished mugs and bowls, a rain-streaked dark window. Lived-in and quiet. No other people, no pets. CONTINUITY RULES: The same woman fully consistent in every shot: no face, hair, outfit or body changes. The clay moves in one direction only: wedged lump, centered, opened, walls pulled tall, shaped into a bowl, wired off the wheel. Never collapses backward, never regenerates, never changes size. Hands are the top priority: five fingers always, clay deforming only where her fingers press, slip and water obeying real physics. The wheel always spins the same direction; props keep their positions. No extra people, not even in the window reflection. No duplicated limbs. Keep her beautiful, calm and photogenic in every shot. STORYBOARD: 30 seconds, 10 cuts. 1. (3s, selfie) She sits by the wheel, rain behind her, sips tea, smiles softly at the lens. Dialogue: "It's raining. Studio night. Come sit." 2. (3s, handheld pan) The camera drifts across the tools; she slaps a wedged lump of clay onto the wheel head. Dialogue: "One bowl. That's the plan." 3. (3s, fixed) Jump cut: already centering, elbows braced, clay running smooth between her palms. No dialogue, just wheel hum and rain. 4. (3s, first-person) Her thumbs open the center and the walls begin to rise. Dialogue: "This part. Breathe with it." 5. (3s, same shot) One steady pull, the wall rises taller, slip streaming down her fingers. No dialogue. 6. (3s, selfie) She lifts both muddy hands beside her face, laughing quietly. Dialogue: "I touched my face earlier. Don't zoom in." 7. (3s, tight handheld) The sponge smooths the rim; a small wobble evens into a clean curve. Dialogue: "Almost. Almost." 8. (3s, fixed) The wheel slows to a stop; she draws the wire under the bowl in one clean pass. Dialogue: "Off. Clean. Thank you." 9. (3s, close-up) The finished bowl at rest; she presses one fingerprint into the wet foot like a signature. Dialogue: "Signed." 10. (3s, selfie ending) The bowl on the shelf beside the mugs; she dims the lamp, rain still falling. Dialogue: "One bowl. Worth it. Good night."