A 15-second vertical SNS short video, 9:16, 30 fps. Bright daytime on a modern…

A 15-second vertical SNS short video, 9:16, 30 fps. Bright daytime on a modern pedestrian shopping street. First-person live-action smartphone footage naturally composited with rough, charming, frame-by-frame 2D hand-drawn animation. Generate entirely from text without using any reference image. The entire video is one genuine continuous take. From beginning to end, the camera walks slowly forward along the same sidewalk. No cuts, hidden transitions, teleportation, scene reconstruction or focal-length changes. Fixed spatial layout: an ordinary pale-blue compact car is parked ahead on the left; a wooden public bench stands approximately two meters beyond the car; an ordinary street tree stands approximately one and a half meters beyond the bench. The car, bench and tree belong to the same continuous street and remain at fixed positions from the beginning. They enter the frame sequentially as the operator walks forward. Once transformed, each object remains hand-drawn and never returns to live action. The camera operator is a completely original red-and-blue urban thread caster. Never reveal the operator’s face or body. Show only the same right arm and right hand. The character wears a futuristic athletic outfit combining red, dark-blue and small white panels, with a soft red-and-blue five-finger glove. The wrist has only one very thin white cuff fitted closely around it. Do not add a large disc, watch or prominent mechanical device. The outfit uses original abstract geometric lines. It has no spider imagery, animal emblem, logo, signature mask or recognizable costume element belonging to any existing superhero. Keep the right arm, glove and cuff identical in size, color, material, pattern and structure throughout the entire video. Fixed launching gesture: Before every launch, the right arm naturally extends toward the target from the lower-right corner. The right palm faces directly toward the camera, allowing the camera to see the entire palm and the inner side of all five fingers. The back of the hand faces the target. The wrist bends clearly backward, creating a natural angle between the palm and forearm. The index finger is fully extended toward the lower-front area of the frame. The little finger is fully extended toward the lower-front area and clearly separated from the index finger. The middle finger folds inward, with its fingertip firmly pressed against the center of the palm. The ring finger folds inward, with its fingertip firmly pressed against the center of the palm. The thumb extends naturally toward the side of the frame. The final pose must clearly show the index finger and little finger extended toward the lower front, the middle and ring fingers pressed into the palm, and the thumb extended sideways. Show exactly five naturally proportioned fingers with clear joints and visible separation. Do not form a fist, point with one finger or open all five fingers. After entering the frame, the hand forms the complete pose and holds it clearly for approximately 0.5 seconds. One thin, fast and straight white hand-drawn energy thread then launches from the inner side of the wrist, directly below the palm, curves past the bent hand and travels forward toward the target. Maintain the same pose throughout the launch. Do not immediately close the fingers. Only after the thread fires may the hand naturally relax and withdraw toward the lower-right corner. Core transformation rule: The white energy thread never wraps around the target, spreads across its surface, creates a targeting frame or produces a delayed transformation. At the exact instant the thread touches the target, the entire object immediately switches from live action into a 2D hand-drawn version within one or two frames. Show only a few cyan ink dots and one subtle paper-like flash at the contact point. No explosion, impact, destruction or intense glow. 0–5 seconds, car: The camera walks slowly and steadily forward. An ordinary pale-blue compact car is parked approximately one and a half meters ahead on the left. The right arm naturally extends from the lower-right corner. The palm faces the camera, the wrist bends backward, the index finger and little finger extend and separate, the middle and ring fingers press into the palm, and the thumb extends sideways. Hold the pose for approximately 0.5 seconds. A white energy thread launches from the inner wrist and strikes the front door. At the instant of contact, the entire car immediately switches in place into a 2D hand-drawn vehicle with white paper fills, uneven black outlines, a pale-aqua marker body, soft-pink reflections and colored-pencil shading. The car must not enlarge, shrink, jump or drift. Preserve its original position, scale, perspective, wheel direction, shadow and ground contact. The camera never stops or changes angle. It continues naturally walking past the car, allowing the transformed car to move gradually into the rear-left portion of the frame. 5–10 seconds, bench: The camera continues forward along the same sidewalk. A wooden public bench naturally enters from ahead on the right. The transformed car remains briefly visible behind on the left, confirming that the scene has not changed. The right hand smoothly turns toward the bench and repeats exactly the same launching pose. The palm still faces the camera, and all five fingers remain clearly readable. After a brief pause, the white energy thread launches from the inner wrist and strikes the backrest. At the instant of contact, the entire bench immediately switches in place into a 2D hand-drawn bench with white paper fills, uneven black contours, pale-pink wooden slats, cyan metal supports and colored-pencil shading. Preserve the bench’s original scale, position, perspective, center of gravity, leg placement, ground contact and shadow. It must not float, deform, enlarge or become a sticker. The camera naturally continues walking past the bench, leaving the transformed bench gradually behind. 10–15 seconds, street tree: Continuing in the same direction, the camera reaches the street tree beyond the bench and naturally slows down. The right hand rises for the third time and repeats exactly the same launching pose: palm facing the camera, wrist bent backward, index finger and little finger extended and separated, middle and ring fingers pressed into the palm, and thumb extended sideways. After holding the pose clearly for approximately 0.5 seconds, the white energy thread launches from the inner wrist and strikes the middle of the trunk. At the instant of contact, only this individual street tree immediately switches into a 2D hand-drawn tree. The trunk becomes white paper with rough black outlines, pale-pink accents and colored-pencil wood grain. The canopy consists of teal-green, muted olive and small pale-aqua marker leaves. Preserve the tree’s original height, trunk width, branch structure, canopy volume, rooted position, perspective and shadow. The leaves continue moving naturally in the real breeze while their drawn contours produce a subtle frame-by-frame boiling-line effect. The surrounding buildings, sky, pavement, other trees and background pedestrians always remain live action. Only the individual tree struck by the energy thread transforms. At the end, the camera stops beside the tree and naturally looks approximately 20 degrees back toward the left. The hand-drawn tree fills the foreground, the hand-drawn bench remains in the middle distance, and the hand-drawn car remains farther in the background. All three transformed targets clearly occupy the same real street. End while the hand-drawn leaves sway gently. Hand-drawn animation texture: Uneven black ink contours, white paper fills, colored-pencil and marker hatching, small ink particles and color blocks that slightly extend beyond their outlines. Lines subtly change from frame to frame, creating a rough, charming, frame-by-frame boiling-line effect. No smooth 3D CGI, thick white sticker borders or pasted paper-cutout appearance. Every animated object must remain physically anchored inside the live-action street. Camera texture: Shoot through a smartphone 1x main camera with an approximately 24–28 mm equivalent focal length. Maintain the same focal length throughout. No zoom and no sudden close-ups. Use electronic stabilization while retaining mild vertical walking motion, subtle arm tremors, slightly delayed tracking pans and small automatic-exposure adjustments. During each launch, the palm occupies approximately 20% of the frame width, large enough to read the five-finger pose clearly but not so close that wide-angle distortion affects the hand. Keep the targets and background relatively clear. Use a bright, clean SNS palette built around cyan, pink, red and dark blue. Raise exposure by approximately 0.5–1 stop, with low-to-medium contrast, subtle smartphone HDR and gentle digital sharpening. No dialogue, narration or background music. Use only a quiet energy-thread launch sound, an instantaneous paper-flip sound, marker-on-paper sounds, a few bouncing ink sounds and natural city ambience. No clenched-fist launch, palm facing away from the camera, single-finger pointing, fully open hand or bent index and little fingers. Avoid extra fingers, missing fingers, fused fingers and malformed hands. No oversized wrist disc, mechanical box, watch or device blocking the palm. The energy thread must launch from the inner wrist, not from a fingertip, fist or the back of the hand. No cuts, hard edits, hidden transitions, spatial jumps, whip-pan transitions, focal-length changes or background reconstruction. Do not enlarge, drift, deform, reposition or turn targets into stickers. Do not animate the entire background. No subtitles, titles, logos, watermarks, readable text, spider imagery, animal emblems or recognizable costume elements belonging to any existing superhero.