16:9 cinematic video, 30 seconds. Two reference images are attached. The…

16:9 cinematic video, 30 seconds. Two reference images are attached. The protagonist appears throughout: a bald man in his late 30s with a light mustache and short stubble, blue-gray eyes, lean build, wearing a plain brown t-shirt, both forearms covered in geometric mandala-pattern tattoo sleeves, as seen in the first reference image. His face, head shape, mustache and tattoos must stay recognizable in every art style this video passes through. A recurring prop appears throughout: a chunky 1980s retro-futuristic device, beige plastic shell, chrome trim, exposed screws, one oversized glossy red button on top, and the MF logo exactly as seen in the second reference image printed on its casing. The logo on the device must match the second reference image in every scene, adapted to each scene's art style. 00:00–00:07 — LIVE ACTION, DESK. Moody home office at evening, warm desk lamp, soft shadows. The bald mustached man in the brown t-shirt with geometric tattoo sleeves, as seen in the first reference image, sits at his desk and notices the strange device sitting on it: the beige 1980s retro-futuristic gadget with chrome trim, the oversized glossy red button on top, and the MF logo from the second reference image printed cleanly on its front casing. He picks it up, turns it over once, curious, eyebrows raised — then presses the big red button with his thumb. A deep electronic THUNK. 00:07–00:09 — REALITY WARP. The entire frame tears sideways in a VHS glitch: chromatic aberration, scanlines, colors smearing like a tracking error on an old tape. Warping analog whoosh sound. 00:09–00:18 — UGC AD, LIVE ACTION. The glitch resolves into a bright ring-lit bedroom, the look of a vertical UGC ad shot on a phone but framed 16:9: a young woman with long hair, holding a skincare bottle, mid-enthusiastic pitch directly toward a phone on a tripod. Behind her, a closet door swings open and the bald mustached man in the brown t-shirt with tattoo sleeves, as seen in the first reference image, stumbles out of her closet, still holding the beige retro device with the red button and the MF logo from the second reference image. She whips around and SCREAMS, dropping the bottle. He freezes, looks at the camera phone, looks at her, and says flatly: "Ah, f*ck." — and slams the red button fast with his palm. 00:18–00:20 — REALITY WARP. Same VHS glitch tear, colors smear, analog whoosh. 00:20–00:29 — CLAYMATION AD, STOP MOTION. The glitch resolves into a handmade claymation world: a bright cereal-commercial set with a wobbly clay sun, clay kitchen table, visible fingerprints in every surface, stepped stop-motion movement at low frame rate. The man is now a clay figure — bald clay head, tiny clay mustache, brown clay t-shirt, his geometric tattoos painted onto the clay arms — clearly the same person as seen in the first reference image, translated into clay. He looks down at his clay body, horrified. A cheerful jingle plays. A GIANT real human-scale clay thumb descends from the sky and physically squishes his cheeks upward into a forced grinning smile, molding the clay of his face while the jingle sings. His eyes stay unamused inside the forced grin. He grabs the clay version of the beige device from the clay table — its red clay button and a hand-sculpted clay rendition of the MF logo from the second reference image still visible on its casing — and smashes the red clay button. 00:29–00:30 — WARP BEGINS. The claymation frame starts tearing into the VHS glitch again, colors smearing hard — the final frame is almost pure analog static and chromatic smear, mid-warp, unresolved. Sound design: room tone and lamp hum in the desk scene; ring-light bedroom ambience and the woman's scream in the UGC scene; bright jingle and squishy clay foley in the claymation scene; every warp is a loud analog tape whoosh with glitch crackle. Dialogue is spoken by on-screen characters only. No narrator, no music except the in-world claymation jingle, no on-screen text.